Necessary and possible Essay Example for Free

Necessary and possible Essay Among the countless present that God endowed to men, the gift of life is the most superb of all. Everything around here on Earth is alive, and so it is our task to take good care of this grant. Reflecting on this idea, each of us must act in a way that propagates it, thus making a better world. And so the question stand still, how can we make a better world? Among the many individuals who has answers are Seyyed Hossein Nasr, he recommend two action steps first â€Å"the interiorization of ecological values† second â€Å"to reflect in what I write and what I say the significance of seeing nature as the domain of the sacred. † (1990). He refers on the importance of the environment in sustaining life, which is indeed true because we get all our needs from it in order to survive. Audrey Shenandoah also laid her answers. â€Å"It has to begin with every individual†, (1990). We should learn to give thanks on everything that we have as well as anything that are given to us. Being responsible to manage our life accordingly will result to better lives. On the other hand, Ronald Engel had another answer to the question, â€Å"making new covenant† (1990). We should exercise democracy n everything around us. Sallie Mcfague reply that â€Å"a basic metanoia, repentance, a turning around. Be submissive to Gods will is what she exemplified, furthermore He has plans for each life He create. Trusting and doing what pleases him is the central key in every aspect of our existence. Ismar Schorsch has his own response to the question. â€Å"It is necessary to have a little less self-indulgence. † (1990), we should not have inferiority towards our self for us to be able to move on and have a good living. The Dalai Lama views that, â€Å"We need a certain discipline, contentment, awareness and what I call a sense of responsibility. † (1990). While Rockefeller relates religion in his answer, â€Å"It is necessary and possible to develop ethic of sustainability that will be accepted by all the different religious traditions and by many different cultures of the world† (1990). As a whole, every creature are part of our nature, thus it should start from our self through serving as an example to others and this eventually will lead us to a better world.

Virginia Woolfs To The Lighthouse Essay -- To The Lighthouse Essays

     Ã‚  Ã‚   She was not inventing; she was only trying to smooth out something she had been given years ago folded up; something she had seen. For   in the rough and tumble of daily life, with all those children about, all those visitors, one had constantly a sense of repetition-of one thing falling where another had fallen, and so setting up an echo which chimed in the air and made it full of vibrations. (199)    What causes that crumpling? What makes the accumulated images fold up over the years? How can one smooth out the folds? These are the pivotal questions raised in the above passage, which captures the central exploration in Virginia Woolf's To the Lighthouse.   Change and chaos create folds in Lily's life. She clings to images of Mrs. Ramsay as an iron. "For there are moments when one can neither think nor feel," (Woolf 193), but even in the agony of intense change, one can always see. Like a muse, Mrs. Ramsay's lasting presence inspires Lily to create a painting that irons out the folds.   Lily eventually accepts some distance from Mrs. Ramsay, as well, which becomes another liberating step in the process of smoothing out her jagged soul. When those images are rediscovered, and sometimes re-invented, change is produced. Ultimately, Lily is released from the past, while smoothing out the creases.      Ã‚  Ã‚  Ã‚  Ã‚   Lily's ambivalent feelings toward Mrs. Ramsay make her life creased and conflicted: "Lily feels forced to choose between rejecting the beloved mothering figure or becoming again a panicky, dependent child whose poor self-image undermines her ability to have a vision of her own" (Caramagno 253).   She tends toward the position as dependent child because it brings permanence, but she vacillat... ...in To the Lighthouse."   Philological Quarterly. 14 April 2002 <http://newfirstsearch.oclc.org/WebZ/>. Lilienfeld, Jane. "Where the Spear Plants Grew."   New Feminist Essays on Virginia Woolf.   Ed. Jane Marcus. London: Macmillan Press, 1981. Mepham, John. Criticism in Focus. New York, NY: St. Martin's Press, 1992. Minogue, Sally. "Was it a vision? Structuring emptiness in To the Lighthouse." Journal of Modern Literature. 12 April 2002 <http://newfirstsearch.oclc.org/WebZ/>. Rosenman, Ellen Bayuk. The Invisible Presence: Virginia Woolf and the Mother-Daughter Relationship. Baton Rouge: Louisiana State University Press, 1986. Stewart, Jack. "A 'Need of Distance and Blue': Space, Color, and Creativity in To the  Ã‚  Ã‚   Lighthouse." Twentieth Century Literature 12 April 2002 <http://web6infotrac.galegroup.com/itw/infomark/>.   

Satyajit Ray’s First Original Screenplay

The film was first conceived to take place in a large mansion, but Ray later decided to film it in the famous hill town, using the many shades of light and mist to reflect the tension in the drama. An amused Ray noted that while his script allowed shooting to be possible under any lighting conditions, a commercial film contingent present at the same time in Darjeeling failed to shoot a single shot as they only wanted to do so in sunshine.. † fact remains that Ray shot this film with masterfully chosen available light conditions(read:no reflectors,you morons! to depict the subtle interplay of light and shade to blend in with progress of the storyline! (as an aside ray recounts the sad story of a Bollywood film crew who arrived in Darjeeling at the same time as ray's team,and were still waiting for the elusive sun to arrive so they could begin shooting by the time ray had his whole film in the can and packed up to go home! ) the climactic scene of the kanchenjungha suddenly makin g a brilliant appearance at the penultimate hour never fails to bring out goosebumps! efinitely recommended. The single most noteworthy feature about this movie is the equivalence of real time (total time of the day being depicted in movie) and movie time (total screening time). At least among the Indian movie makers, Ray is the first one who had done such experiment and of course, he succeeded comprehensively. It depicts a real time event of 100 minutes on screen. So, in order to understand ‘the drama' it's recommended to understand his language to the extent possible.It comprise snapshots of various human characteristics like pride, simplicity, carnal desires, thoughtlessness, romance, heroism and above all triumph of human spirits over conventional, social idiosyncrasy. All this happens in the hill station of Darjeeling, in the lap of nature with the picturesque eastern Himalayas in the backdrop. It is mentionable that the background of all the above characters, their thoug ht process and behavioral traits have been brilliantly presented through series of well conceived dialogues. Yes, only dialogues. No third person narratives. No visual manifestation in terms of flash back, dream sequences etc.In fact, the master storyteller has been able to generate such an evocative dialogue sequences that at the end of the film, the audience acquire full capacity to judge each and every character in the light of respective rationale. It is also noteworthy that Ray's characters never surpass the humane status quo. They reflect relevant cognitive behavior and contextual influences. Be it â€Å"Siddartha† in Pratidwandi or â€Å"Arindam† in Nayak, one can never expect Ray's protagonists molded in typical ubermanesque image in stark contrast to the so-called Heroes of Hollywood and Bollywood.It is also noteworthy that Ray's characters never surpass the humane status quo. They reflect relevant cognitive behavior and contextual influences. Be it â€Å"Sid dartha† in Pratidwandi or â€Å"Arindam† in Nayak, one can never expect Ray's protagonists molded in typical ubermanesque image in stark contrast to the so-called Heroes of Hollywood and Bollywood. Kanchenjungha substantiate that. The elitist, urban Mr. Banerjee asserts boastfully about his professional and materialistic achievements. He even confesses about his clandestine foreign affairs while wooing his ladylove Monisha.This refined gentleman also depicts a prosaic approach towards conjugality and life in general. Towards the end he displays an extremely liberal and tolerant attitude, which is commendable in the realms of dominating, patriarchal association. Any write-up on Kanchenjungha would remain unfinished if it doesn't mention the incorporation of ‘nature' that accentuated the varied moods of the film — An overcast evening to suggest unfavorable circumstances, mist to render underlying tension and sunshine to portray agreeable settlement.Finally th e mighty Kanchengha with all its splendor depict celebration of hope and aspiration. However, Ray has managed to remain an aloof and neutral presenter throughout the process of the film, which adds to the aesthetics of this cinematic masterpiece. This Ray film is fraught with imagery, symbolism, metaphors and weaves in a few independent stories together to culminate into an understanding of the human psyche.Coming to Kanchenjunga (the name belongs to the world's third tallest mountain peak which is said to be elusive to human eye as it's perennially clouded due to fog), the film follows a group of tourists on vacation in Darjeeling, a hill station – the first thing that comes to your mind is just how fraught the film is with metaphors- linking the human mind and attitudes to nature's marvels- thereby the dense fog which prevents our protagonist (played mesmerisingly by Chabi Biswas) from seeing Kanchenjunga clearly is symbolic of his myopic opinions and it is lifted in the la st scene where fter stripping himself away from all his erstwhile prejudices, he is able to view Kanchejunga for the first time. But, in the end, Kanchenjunga remains a film about human emotions which also talks about the socio- economic divide and dwells into the complex inflexible minds of some of us. The appropriate use of the natural lighting & weather conditions (may be the best in Ray's career).

The Discovery Of Being Mummified Essay - 1047 Words

Do you know the process of being mummified? Well I will tell you all about the process of being mummified. When pharaohs or very rich people die in Egypt they take all of their organs out except for their heart. They were then wrapped in linen cloth and put in a sarcophagus. (A sarcophagus was a coffin.) Before they are placed in the linen cloth they are given an amulet to keep evil away. They are said to have an afterlife. In their afterlife they are said to live eternally. The first type of tomb was called the mastaba and it was made out of mud-bricks. They were buried with all of their valuable stuff like jewels, gold, silver, and etc. To protect the tomb where the body is they put traps everywhere so when intruders come in to look at it they die. If the intruder gets caught stealing the tomb they would be whipped, tortured and some got their hands chopped off. Then they were executed by being burned alive or being impaled on a stake. The ancient Egyptians also attempted to deter tomb robbers by a pharaoh’s curse. During the 1st Dynasty human and animal sacrifice played a role in the funeral rituals. Males were depicted with reddish-brown colored skin reflecting odor pursuits whereas females were painted with a yellowish colored skin. Tomb painting of gods and pharaohs were always depicted as young and healthy. Some of the most famous pharaohs including Hatshepsut, Tutankhamun (King Tut), Thutmose and Ramses II are buried in the Valley of the Kings.Show MoreRelatedThe Griffin, The Mermaid, And The Giant Cyclops1741 Words   |  7 Pagesdiscovered by ancient peoples often became the fodder of folklore. Early fossil discoveries guided folklore and helped to define cultures’ belief systems as seen through art, literature, and traditions. The Griffin, the mermaid, and the Giant Cyclops are three well-known legendary creatures of art, literature, and culture. 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